brill harder filter house smasher mit retro / electro house einschlag !!!

das original kommt sehr retro-m§ssig im 60er stil. der remix von >transformer die roboter< ist elektropoppig und der remix von krikor housig!!

four-track sampler ep. waric cameron, jazmmin & face, richard gow and moisture control each contribute a cut here, resulting in a well-rounded ep of deep house, retro electro and dubby downtempo. highlights include jazmin &faces trumpet-heavy driving jazz-house excursion >get on down< and the slowed-down funk of rhythm slaves inventive >vowel e<. a little something for everyone on this quality release

phat italo disco styled (original vocal samples : lime 'angel eyes')electr-retro hit !! final press!!! incl original plus new mixes by pierre deutschmann & paul adam walter !

klasse retro ep incl obercooler orignal minimal version and killing ural 13 retro version

endlich im repress, mit neuem cover, 2 monster retro electro tracks, must have tune! played by sven väth!

darke electro -retro french platte mit exotica & step color mixes

amazing electro / retro monster tune !!! played by dj hell , ivan smagghe & many more

starke elctro retro funk ep on culty bunker from german-canada duo, watch out for one of the next lasergun ep s :)

original+ rmx by the hacker millimetric // top frenchy retro techno knaller

klasse retro tech monster !! italo disco style…rockt alles in grund und boden !!! tipp

amazing retro&techno &electro remixes by lady b,tommie sunshine & ascii disko…sounds like vitalic!

brill slammin punk retro 3 track ep !!!

big retro tech tracks /lexy & k-paul style

storming remixes by the hacker (gigolo) & marc acardipane !! retro vs hardcore !!!

brill bangin retro techno clubber+ loops !

gigolo styled electro clash / retro bombe… played by sven väth

excellent disco tech retro hit !!!!

brill retro driven selway remix / sven v?th !

brill smashin french retro tech / agoria rmx

big big electro / retro / pop album for fans von legowelt & co ! played by sven väth (aus brigittes tagebuch)!

phat french retro electro...playgroup rmx

killing picture vinyl, incl remixes by dr shingo (forte, japan) & maru + comix, 5 track ep between techhouse, minimal, retro and japan techno. carsten franke is one of the heads from the young fresh minimal techhouse label ostwind

phat floorburner between french house & electro retro house , incl sample of >i wanna be your dog< performed by the stooges. buzzed by fat boy slim, pete tong, f.leconte amongst others. already belongs to the legend

ultraphat storming retro french electro tech tracks!peak time winn

einen hypercoolen mix aus brandneuen tracks und neuen remixes ihrer hits präsentiert jes auf ihrem neuen, teils-retro/teils-future-spektivem doppelalbum memento . auf 2 cds bekommen wir 28 stolze tunes inklusive remixes und kollaborationen von und mit markus schulz, cosmic gate, aly & fila, tydi, will atkinson, tiesto (im neuen standerwick remix), bt (im neuen marlo remix), ferry corsten (im neuen fonzerelli remix), ronski speed (im neuen dj t.h. remix), u.v.m.

japanese left-field pop from the cd age (1989-1996) is a 2xcd that includes liner notes by chee shimizu and artwork by hagihara takuya

3 cd compilation , cd1: dance at home, cd2: groove at home, cd3: retro at home

zweites album des house-masters und wahlberliners marquis hawkes nach seinem debuet social housing in 2016. die bandbreite der acht neuen tracks deckt das gesamte house-spektrum ab: von deep und dubby, �ber koerperzuckende rhythmen und retro-bass-stiche, bis zu introspektiven stimmungen und new jersey-style-grooves voller soul. unterst�tzt wird marquis dabei von zwei prominenten und bew�hrten vokalisten: ursula rucker und jamie lidell.

incl. sergey silverstone, thomas lang, tania haroshka & rayko, hiem and more

say what you wanna say, but you have to give strahil velchev this: the manÕs a powerhouse. recording and playing live under the kink alias, he went on to become one of finest purveyorÕs of funk in techno and house. what it is, by definition, ainÕt exactly clear. and that is the beauty of it. kinkÕs music is unifying in the best possible way. channeling the spirit and feeling of a time where it didnÕt really matter who the faces behind the music were, kink plays with the elements of genres and sub-genres as if the future of it all is still wide-open. at the same time it could be accused of retro-fetishism, as much as the pope himself is infallible. the pure need to recreate moments, feelings and experience - rather than carbon copies of existing designs - was what started kinkÕs production work. hailing from bulgaria, it was nearly impossible to get your hands on all the records and music that fed into a system of raves, clubs and record shops that seemed far away from sofia, and financially it might as well have meant another galaxy. wanting to dj without having access to the tracks that spun the carousel meant that you had to create them yourselves. so, here we go with a private bootlegger gone public mastermind and one of the loudest voices in house, techno and beyond. from kinkÕs early productions with neville watson to his smash-hit for ovum, a cerebral album for macro, tons of remixes & tracks and his mind-bending live act, playground seems to take all that into a blender. simultaneously a sound-summary, the harvest of a field of ideas, and the exhibition of an artist in his prime, it also works as a sort of kink dictionary: avant-garde soundscapes stand next to boisterous bangers, classic club tracks and peak time emotions

one cd mixed by popof and the other from luca donzelli

steffi, langj�hriges mitglied der ostgut ton-familie und resident-dj der berghain/panorama bar, gestaltet ihre fabric-cd ausschlie§lich aus 15 exklusiven tracks befreundeter und seelenverwandter produzentenkollegen. ihr einzigartiges set aus abstrakten house, electro und techno-fragmenten besitzt einen basslastigen, retro-futuritischen vibe und ist auch aufgrund seiner exklusivit�t ein weiteres schillerndes unikat in der renommierten dj-mixserie.

aphex twin aka richard d. james meldet sich mit der fantastischen -cheetah ep- zur�ck, auf der er mit deepen, melodischen techno und acid im fr�h-90er-style �berrascht. benannt ist die ep nach dem synthesizer cheetah ms800, eines der am schwierigsten zu programmierenden instrumente der welt, mit dem richard die meisten dieser tracks aufnahm. das artwork ist ebenfalls im 90er-retro-style gehalten. cd und tape enthalten einen weiteren bonustrack, der dem vinyl per download-code ebenfalls beigef�gt ist.

on her 2nd album steffi recalls classic, landmark detroit electro, while creating modern, retro-futuristic sound

alexia coley ist eine lady, die ihr ganzes leben auf das ausgerichtet hat, was sie jetzt im herbst 2014 pr�sentiert: drei single-ver�ffentlichungen einer limitierten 7- vinyl- edition brachte ihrer musik die aufmerksamkeit von medien wie bbc6 music, radio 2 und bbc london. nun ist ihr deb�talbum aufgenommen, abgemischt und bereit zur ver�ffentlichung. ihre musik hat einen klassischen soul- und jazz-vibe, gleichzeitig retro und modern, aber mit den kanten und ecken einer lady, die im zeichen des modernen london in ladbroke grove aufwuchs. ihre songs sind zeitlos, aber immer verbunden mit leuten die erwachsen geworden sind und ihr leben im hier und jetzt leben. alexia findet man sowohl mit rapper und dj, als auch in einem line-up von jazz-spielern im ronnie scotts.

retro was the by far most overworked musical term in all areas house and techno. and well, we have to admit it it: so is this release by our new player matt john and his debut for cocoon recordings.

the 24-track mix includes a number of exclusive dubs from swindle and silkie, previews of quests forthcoming deep medi material, a vip mix of malas >eyez< exclusive to this mix, and silkies remixes of skream and katy b.

the series, respected as one of the most popular yet credible dubstep compilations is back with an album to define the sound of 2011. an upfront and up to date selection brings forth 40 of this year s freshest tunes including five exclusive, unreleased tracks, and blazing remixes such as trolley snatcha s chase & status remix, excision & datsik and distance.

nach digitalism & phoenix praesentiert das heissegehandelte, brasilianische dj-duo the twelves mit der neuen folge der mixserie -kitsune tabloid- einen definitiven anwaerter fuer das mixalbum des jahres! beruechtigt fuer ihre remixes, u.a. fuer m.i.a., la roux, aber auch fuer nirvana(!) und die beatles(!), liefert das dj / produzenten-duo the twelves aus rio de janeiro ein erstklassiges mixalbum auf dem pariser label kitsune ab. das tracklisting ist eine grandiose selektion aktueller trendsetter von siriusmo ueber juan maclean und daniel wang bis zongamin, dem aber ein feuerwerk an bislang unveroeffentlichten, exklusiven the twelves dubs ihrer juengsten remixes fuer solch angesagte hochkaraeter wie munk, metric, two door cinema club, french horn rebellion oder black strobe vorangeht. ob nu-disco, retro-house oder der ganze rest, the twelves bringen den funk zurueck auf den dancefloor! the twelves -kitsune tabloid- hat das zeug zum mixalbum des jahres!

die franzoesische krautrock & psychedelic band turzi wirft die gitarre ueber bord und wirft die analogen synthies an und steht nun auf den schultern von michael cretu (of enigma fame), klf, kraftwerk und tangerine dream. produziert von pilooski (discodeine). -auch das vierte album von romain turzi alias t.e.e. steht wieder in der musikalischen tradition der elektronik - pioniere jean-michel jarre und tangerine dream. melodien, sequenzen und flaechen klingen aber gluecklicherweise nicht retro, sondern zeitlos und koennten ebenso heute im club laufen wie auch dem duester-futuristischen soundtracks von bladerunner entstammen. dass hier bei aller musikalitaet clubtauglichkeit erreicht wird, ist pilooski zu verdanken, der turzi als produzent im studio unterstuetzte.-

in keb darges own words: i ve done many a compilation in my day, mostly based around the tunes i played at my long running deep funk nights in madame jo jos. that night is no longer on the go, possibly due to a growing lack of interest on my part, (sorry). in the last few years the lost & found: nights at the club have been my real passion, and indeed little ediths and andy smiths passion too. what a marvelous era this is for good music. we may still have pure stuff like dub step: pulling in large numbers of sheep, but an equal number of youngsters are being attracted to retro, or at least retro sounding music. people tell me it is because the youth are fed up with computerized music, or men with drug problems angrily shouting at them over a dull repetitive beat, but i know lots of teenagers who have bypassed this muck all together. must be the internet that is helping kill off the demand for empty music. you no longer need to go to a retro club night, or indeed search out rare records to be exposed to good music, the internet is full of the stuff. my fifteen year old daughter is a marc bolan fan who while researching the poor fellows influences discovered chuck berry, sun records, etc, etc. i dont really know or understand why so many are at last getting into the good stuff, but they are, and it is wonderful for the likes of me.

nach digitalism & phoenix praesentiert das heissegehandelte, brasilianische dj-duo the twelves mit der neuen folge der mixserie -kitsune tabloid- einen definitiven anwaerter fuer das mixalbum des jahres! beruechtigt fuer ihre remixes, u.a. fuer m.i.a., la roux, aber auch fuer nirvana(!) und die beatles(!), liefert das dj/produzenten-duo the twelves aus rio de janeiro ein erstklassiges mixalbum auf dem pariser label kitsune ab. das tracklisting ist eine grandiose selektion aktueller trendsetter von siriusmo ueber juan maclean und daniel wang bis zongamin, dem aber ein feuerwerk an bislang unveroeffentlichten, exklusiven the twelves dubs ihrer juengsten remixes fuer solch angesagte hochkaraeter wie munk, metric, two door cinema club, french horn rebellion oder black strobe vorangeht. ob nu-disco, retro-house oder der ganze rest, the twelves bringen den funk zurueck auf den dancefloor! the twelves -kitsune tabloid- hat das zeug zum mixalbum des jahres!

uniting the voices of africa, asia, new york & london, through house music.

whats the point of a concept album when no one hears the concept in it? maybe that it sets a boundary, forcing mr artist to go even deeper into the fewer possibilities left. creativity by limitation and all thatÉ well spare you further theorizing. >fever<, the third longplayer by dutch low end scientist 2562, then, is his disco album: a thorough reinterpretation of underground disco music from the mid seventies to the early eighties, with his own birthyear 1979 as the gravitational point. all based on one simple rule: every single sound, from the smallest background shiver to the most obese sub bass, originates from a disco record Ð no additional synthesizers, drumcomputers or other samplesources involved. disco-edits, italo homages or filtered loops then? hardly. this is genuinely new and retro-free music that respectfully flips its sources so hard even the biggest paradise garage connaisseurs wont recognize what just hit them. or in the words of musical allies martyn and pinch, who independently drew the same conclusion: >sorry, but i dont hear that whole disco story in there. this simply sounds like you.< completely failed as a concept album, then Ð and all the better for it.

2 cd compilation incl. papparazzi, alejandro, telephone..

with 17 years industry experience, innumerable remixes, several hit singles and eight albums under his belt, dutch dj/producer ferry corsten knows how to knock up a tune. the bombastic title of his latest album, l.e.f. - loud, electronic, ferocious Ð seems overtly aimed at quieting any doomsday critics that are still flouncing around prophesying the death of dance music. the contents certainly state a passionate case for the genre-s ongoing vitality and ability to reinvent itself, as corsten lets loose a take-no-prisoners tirade of electro, trance, pop and techno. the visceral pulse of -are you ready- opens the onslaught, preparing the listener for retro anthems such as the recordÕs first single -fire- (featuring simon le bon), and -into the dark- (with howard jones), and a storming series of trademark trance cuts - -beautiful-, -posession- and a reworking of old favourite -galaxia-.